Arabstazy
Under Frustration vol. 2

Hiya Heights 02de Natural High & Marcus I

MAKE A DANCE - M.A.D EDITS 002Make A Dance sub-label Make A Dance Edits is back with a second serving of red hot dance floor heaters from the eponymous production outfit. 'Body II Body' is all steamy vocals over a seductive deep disco/house beat with plenty of jazzy chords. It's a bobbing and feel good tune to tease any club. On the flip is 'Body II Dub' which is more leggy, with splashy cymbals and languid grooves disked to get deep under your skin and take you on a loved-up journey through deep house.

Sergeant is the avant-pop band of composing cineast Benjamin Cools and search-singing actor Ferre Marnef. For a long time they only burst out exclusively on stage, but now they have gathered their sampled selves at the abyss of pop music anyway. The songs on the record sound like a "date gone wrong" between post-punk and krautrock, but mostly like the kind of indie rock that Warp thought was cool for a very brief time in the 00s. Through the Paris of the 70s (Gainsbourg!) and the industrial Ruhr, they take you on a trip brimming with Dadaist collages and abstract punk. Their self-titled debut is released by the Ostend-based experimental music label STROOM, run by Ziggy Devriendt (aka Nosedrip).For this record, the musicians sampled themselves - Sergeant calls that method DJ Shadow in reverse. From their archive, they drew a mountain of analog loops, which they then meticulously montaged into nine poetic songs. In the tracks, 1 Fender Mustang, 1 Microkorg, 1 Rdr Rhythm DR-670 and dozens of flutes are ground through effects, processors and DIY recording techniques. For Cools and Marnef, making music is getting sound layers and textures moving. Like editing a movie, Sergeant cuts the sonic scenes into one.
Sergeant's home base is Brussels, the metropolis on the verge of bankruptcy, and that is audible in the density and rushy contrasts on this pop record. Cools and Marnef operate in the world of film, theater and music. Previously they have been involved with bands such as Soldier's Heart and De Nooit Moede, and in theater they share a history with Tibaldus, Desnor, Bosse Provoost, Ezra Veldhuis, Buren, ...
The mixing is the work of the Antwerp godchild Milan Warmoeskerken (Milan W.) who produced other people's music for the first time. With his eye for detail and balance, he created a deeper layer in Sergeant's music.

Written after a trip home to Swaziland, now known as eSwatini, Sydney recorded the sound of life there after completing studies of sonic signatures and comparison of traditional instruments around the world. When there, the third generation Brownswood Future Bubbler artist hooked up with local man Ralph who took him on some rich journeys and to meet amazing local musicians, all with the aim of making a body of work that used traditional worldly sounds in authentic new ways.“The creative energy in eSwatini is so healthy and powerful that there's too many projects to list, but one that stood out was Mr Freddy, involving Ralph Smitt and Mwesigwa Kisaakye, a mixing bowl of psychedelic world improv which I helped record at Semitone Records, and later was mixed by myself and Louise Grainger and released via Stay Put, a small collective I am part of who run parties in Bristol and host a fortnightly radio show on Noods Radio. The Intro to the Album played by me and Ralph became the intro to this album as we shared the journey!”The richly atmospheric tracks are spiritual, organic affairs with indigenous percussion, tumbling drums and spoken word samples that are beautifully earthy. Broken beats with drifting sax lines, lazy deep house and jazzy hip hop that oozes soul all feature and make this record a perfectly escapist and immersive listen.

The Tenets of Forgetting is the long-awaited follow-up to MSYLMA’s lauded 2019 debut, Dhil-un Taht Shajarat Al-Zaqum. This time he’s joined by fellow musician and producer ISMAEL for seven tracks, built around a lush palette of synths and MSYLMA’s singular voice.Written and produced in Cairo between 2015 and 2020, The Tenets of Forgetting is the first collaboration between MSYLMA and ISMAEL. Like his first record, The Tenets of Forgetting finds MSYLMA singing in classical Arabic, and the musicians have enlisted Nariman Youssef to provide translations of the lyrics. This gesture of openness runs parallel to the themes of the record; romance and vulnerability; growth and change; pathos and passion. Listeners who aren’t familiar with pre-Islamic poetry or classical Arabic will find the lyrics just as rich and beautiful as the vocal melodies imply, telling a story of love, loss, self-doubt, and grave introspection.Musically, the album moves in broad, painterly sweeps of 808 kicks, rich synthesizer chords, and MYSLMA’s soaring, plaintive voice. The English translations reveal a second world of mathematically sound rhythmic structures and poetry in the lyrics. The music pushes and pulls in both tempo and timbre, swirling both around and underneath MSYLMA’s voice but never losing a sense of self-contained narrative.The album is rounded out by Jesse Osborne-Lanthier and Omar El-Sadek’s immersive, esoteric art, and features additional production on track 7 by Osborne-Lanthier, Pierre Guerineau, and Asaël Robitaille.

2022 repressThe sought after LP from Zann ‘Strange Ways / Inside Jungle’ originally released as a private press in 1990 finally receives a full reissue.Zann started life as a 7-member live band in 1982. Founder member Udo Winkler had been a part of New Wave & Post Punk band Konec touring extensively and releasing one LP on Polydor titled ‘Schrille Blitze’. Zann was an outlet for more experimental works heavily influenced by Brian Eno's collaborations with David Byrne and Jon Hassell, German bands like Embryo and Dissidenten, David Sylvian and middle & far eastern music.In 1988 Udo and Hjalmer Karthaus built a small basement studio with a 4 track tape machine and musical experiments began in earnest. After the limitations of playing live it was an acoustic wonderland and they gave themselves no musical boundaries. The unlimited studio time meant they could pick up ideas and develop pieces gradually, friends would come to the studio to play and songs evolved from extensive jamming sessions. The resulting LP has Middle Eastern instrumentation at its core, particularly wind & string instruments such as the Tabla and Gong, and is a melting pot of influences incorporating elements of Ambient, Jazz and Folk with strong synth programming on a number of tracks. The band pressed up a handful of copies and sold them exclusively at record fairs in Germany and in the intervening years the LP has become highly sought after with copies changing hands for 150 Euros.The LP has been fully remastered from the original DAT tapes with new full sleeve artwork from Bradley Pinkerton and is pressed on 180 Gram Vinyl.