Delik
Take It To Your Head / Booda 1 (One) 2 (Two)

Devoted fans of Abel Tesfaye were left in a spin when the latest The Weeknd album dropped out of the blue, offering up lead singles 'Sacrifice' and 'Gasoline'. The expansive reach of Tesfaye's musical world knows no bounds, straddling pop, rap, electro and much more besides on a quest for life-affirming, show-stopping songs that burrow straight into your heart. The cast of collaborators on this record is staggering, from Tyler, the Creator, Lil Wayne, Quincy Jones, and Oneohtrix Point Never to Jim Carrey and Swedish House Mafia, would you believe. Through it all, Tesfaye's dazzling persona shines through, making for another classic from one of the most unique artists in the premier league of contemporary RnB.

Con el primer single y videoclip llamado "Lava de volcán", Emblema anuncia la salida de su próximo, primer álbum en solitario llamado "Constante". El álbum ve la luz el 17 de Enero de 2017 a través del sello Back in the days records. En total el disco se compone de un total de 10 cortes con beats de: M.Padrums, Pani, Tru Comers, NickWiz y Propo'88. En las colaboracionesaparecen Ruste Juxx, M.Padrón y D.O.M.S.

Anglo-French RnB singer songwriter with expertly crafted Love songs charting the course of relationshipS. A new take on the alternative RnB and Neo Soul genre with instrumentally daring arrangements, melancholic soundscapes, sumptuous jazz harmonies and effortless mantra-like soulful melodies. appolonie - vocals (all tracks)barak schmool - keys, programming (all tracks); alto flute (3)joe lee - bass (all tracks)lyle barton - keys solo (2)todd oliver - guitar solo (5)aviv cohen - guitar (1 2 4 5)greg sanders - guitar (3)words/music appolonie, arrangements barak schmoolengineering - aviv cohen, tom cc, julius johanssonproduction - barak schmool, aviv cohenmixing, mastering - aviv cohenphotography - cinqcentquarante

eissue of two of the standout tracks from Scotch's classic SA house/kwaito album from 1995!By 1995 Kwaito was already a well established and distinguishable sound compared to the International House Remixes that preceded. The tempo was slowed down, Soulful vocal samples were replaced by catchy and repetitive hooks and versus sang in vernacular. The new hit sound had a template and studios worked around the clock to pump fresh releases into the demanding market.After the successful 1995 release of Import mixes Vol 4, The Groove City team behind the productions now decided to venture into the territory of Mid Tempo. They would craft an album for a young frontman with the help of Kwaito pioneer Oscar Warona, and without much trouble, the team had their first hit on their hands. Filling the boots of their cars with copies of the cassettes and taking the stock to various townships around Johannesburg the tape quickly circulated and sold out every new batch that was printed. Demand was high for the release but as with much of the music at the time, the fast paced demand for the music moved on. Without a follow up release Scotch failed to ride the momentum built by the debut and remained largely unknown although he is still in the music industry to this day.Even with their first artist release being a success, the following years proved more difficult in reaching such a large audience for the Kaleidosound studio. With popularity for the genre growing, the simple templates for early classics were changing as Kwaito fused with hip hop. Rapping took over as the preferred vocals for the masses. Mysterious production teams and labels that served as guides for music lovers were eclipsed by frontmen and groups that could draw crowds. The fight for fresh sounds continued as the airwaves became the main battleground for artists and the more club oriented music was pushed back underground, eventually evolving into some of the earliest examples of Deep House seen on the continent. The Kaleidosound production team would finally strike gold again in 1997 when reviving Groove City for vol. 5 which acted as the debut for the newly formed group Chiskop. The group would become superstars of the new commercial era that followed, sparking solo careers for the members and creating some of the biggest hits the genre knew.To this day Scotch remains one of the best albums to come out of the golden era of Kwaito. Although it was outperformed by other groups from the time it has a special place for those who knew it and can still be found as a treasured piece in many collections. The various people involved created a one off fusion of sound that has remained fresh for 25 years. Playful lyrics over floaty grooves resulted in favourites like “Jam Alley” which uses catch phrases from the beloved TV show and “Bafana Bafana” guaranteed to get the boys on the dance floor. Here you have these two tracks taken from the album pressed on a club ready Maxi Single for the Deejays