Geronimus Brothers
Dubplates From Jakarta # 15 (Anti-Capitalist Love Notes)

After a sling of instantly sold-out 45s through his Bandcamp (we're talking minutes here), it's tempting to say that Soul Supreme got a Midas touch. But that doesn't do justice to his hard work and carefully crafted reinterpretations of music by A Tribe Called Quest, Madvillain, Mos Def & others. The newest addition: not one but two 45s around Jay Dee a.k.a. J Dilla.The Amsterdam-based keyboardist/producer takes on 'Let's Ride' (Q-Tip) and 'Runnin' (The Pharcyde) on the first donut. This other 45 contains a medley of 'The Official' (Jaylib) and 'Fall In Love' (Slum Village), and two unsung Jay Dee beats: 'Still Shining,' as produced for Busta Rhymes, which has never seen the light of day as an instrumental. Another never-before-released Jay Dee beat is 'Feelin' Good', an essential case of Dilla's unparalleled ear for swing. Sidetrack: look up the Bling47 Breaks video later with House Shoes's story on giving Jay Dee the Frank Cunimondo Trio record, with a VHS video of T3 and Baatin going crazy in Detroit's The Shelter to Jay Dee's 'Feelin' Good' flip. Pure gold.The Detroit visionary reimagined 'groove' and sampling. On his turn, Soul Supreme takes on Dilla's timing, rhythms, and harmonies. Think of how in the final part of "Runnin'," the keys start to follow the well-hidden, heavily filtered sample on The Pharcyde's original, instead of the main melody. Or how there's punch to J-Zone's drumming on "Let's Ride" as there's punch to the MPC3000. How Jonny Murray improvises on trumpet rather than replaying the sample. The marriage of Rhodes and synths on "Fall In Love" resemble Soul Supreme's trademark sound as showcased on last year's self-titled LP. Built on top of that, the two 45 releases (sold separately) are all-original takes on Jay Dee-produced classics.

Killer !

Whoaah!!The nastiest MC in the game is back with the appropriately named album Ankh Nasty, coming out on nude edition vinyl, with three bonus tracks. Featuring appearances from Vic Spencer, Estee Nack and Rahiem Supreme. Produced by The Historian, Sadhugold, Hooligan, HNIC and Vinyl Villain to name a few.

Queer + Black serves as an introduction to Grove's experience of the world. Tunes to get sweaty in the dance to, as well as contemplate sexuality, class + race.
The range of influences for the tracks span from the power felt in decolonising our spaces (with the toppling of the Edward Colston statue), to the feeling of euphoria during a rave for queer people of colour, to calling for a focus on how landlordism + classism is keeping inequality rife in society. All soundtracked by dark dance, hip-hop and dancehall-infused beats.