Zé Eduardo Nazario
Poema Da Gota Serena

Face ⵍⴰⵃⵙⵏ ⵄⴰⵇⵉⵍ Lahcen AkilLahcen Akil : lotar , chantHamid Akil : bendir, percus, chantAzdin Oaamo : bendir, chant ( track 1)Rachid Ben Ali : mains, chant (track 1)ⵍⴰⵃⵙⵏ ⵄⴰⵇⵉⵍ Lahcen Akil is born in 1969, in Tamlalt village, Upper Atlas, ⴰⴷⵔⴰⵔ ⵏ ⴷⵔⵏ Adrar n Dern , Dades valley, where he currently lives with his family , his wife and two sons , He learn early music himself, musician, composer, song and poetry writer in Tachelhit, the Amazigh, or Berber of South East Morocco .ⵍⴰⵃⵙⵏ ⵄⴰⵇⵉⵍ Lahcen Akil is a stringed instrument maker. He makes his own lutar.More info in french :lahcenakil.blogspot.comFace Louis Minus XVI duoLouis Minus duet, french free jazz band from Lille.Adrien Douliez : sax altoMaxime Petit : basse électriqueThey have spend two week in Tamlalt for review this split LP and the "Février" song.louisminus.bandcamp.com

Altın Gün return with a masterful album that widens their critically acclaimed exploration of Anatolian rock and Turkish psychedelic stylings to include dreamy 80’s synth-pop and dancefloor excursions. Yol (Road) brings together all vectors of the Altın Gün experience and delivers their most compelling and individual album to date.---------------------------------------Amsterdam’s Altın Gün have built a strong reputation for melding past and present to make brilliantly catchy, psychedelic pop music, as seen with their Grammy-nominated second album, Gece. They are also a renowned live band with strings of sold-out shows on three continents, who have consistently brought a muscular groove to their recordings. Yol, their third album in as many years, excitedly continues these trends; while also digging in deep to unveil a new palette of sonic surprises.

These tracks were recorded by Kevin Low and Fiona Carlin in Kevin’s bedroom in Gayfield Square, Edinburgh, in 1986. Me and my dad, Kevin, dug out a huge bunch of his tapes over the lockdown (about 80 of the them at first). Some were…better than others, however, the Gayfield Square demos were the pick of the lot. Previously Kevin and Fiona were part of the Post Punk / indie band ‘Wild Indians’, whose first release “Stolen Courage” had come out in 1983 – released on Flexi Disc via the Edinburgh fanzine Deadbeat. Throughout the mid-1980s they performed across Edinburgh’s clubs, including at the Hoochie Coochie Club (name checked on track 7), where they played alongside bands and close friends Pop Wallpaper and Visitors. The band went on to release two 12” singles, “Love of My Life” in 1984 and “Penniless” in 1986.After the band broke up Kevin sold his guitar amp and 7inch collection, Fiona her saxophone and they went out and got themselves a Yamaha RX-5 drum machine, Yamaha QX7 sequencer and a Yamaha DX-100. These bedroom tracks are the fruits of their first venture with this hardware, combining their experimentation with synthetic sounds (mostly the DX-100’s famous pre-sets) with a post-punk vocal style.These eight tracks are also, in part, the fruit of the “Enterprise Allowance scheme” - a policy venture of Margaret Thatcher’s UK government that gave unemployment claimants access to an extra £40 to top up the basic dole money. Following Thatcher’s election victories in 1979 and 1983, the policy sought to reduce the figures of mass unemployment which hung over Britain well into the 1980s. This policy, according to Kevin, helped to keep up the credit payments. He notes that, “when Fiona and I turned up at the DHSS office with the sure-fire money-making plan of making a business as a ‘song-writing’ duo they signed us up. However, I still think they thought we said, sign writing as they were filling out the form.”Kevin and Fiona stopped making music together shortly after these tracks were recorded so unfortunately, they never saw the light of day…until now!Fiona went on to work in Film and Television sound. Kevin became a photographer, working mostly in theatre. He is now an artist/painter working in Glasgow.