Funclab Collective
Sofa So Far

More obscure edits by Alexis Le Tan & Joakim for their project Full Circle. Artwork by Ill Studio.

OG French press in perfect audio shape !

The re-appraisal of early Seefeel has been long overdue. We're not entirely sure why this hasn't happened before, but to put things into context this is the first time Ch-Vox has been available on vinyl since it debuted in 1996, sidling up alongside the band's other outings dating back to 1994, all of which came about through involvement with Sheffield and global electronic music institution, Warp Records.Ch-Vox actually landed on Rephlex, the imprint founded by Warp regular Richard D James, AKA Aphex Twin, and Grant Wilson-Claridge. Taking us further into the chill-out rooms, Sunday morning comedowns and midweek meditative moods of UK rave, in many ways Ch-Vox is more complex in concept than its predecessor, Succour, helping establish an early framework for what we now know as drone.

Maxx Mann were the gay New Wave duo of Frank Oldham Jr (vocals, lyrics) and Paul Hamman (music) from New York City formed in 1981. Frank studied voice and acting at the Herbert Bergdorf School idolizing Eartha Kitt, Nancy Wilson, Johnny Mathis and Shirley Bassey. Paul was playing piano for a cabaret singer at a bar in Greenwich Village where Frank met him and their friendship began. Paul and Frank worked together 3 to 4 times a week recording their debut self-titled album released in 1982, limited to 500 copies.Songs provide interesting insights into the homosexual experience before the AIDS crisis: cruising backroom bars, BDSM and one-night stands. The music is "Neo-realistic rock" heavily influenced by punk, titillating, synthesized body and soul with Frank’s dramatized vocal stylings. The original press release sent to radio stations stated, "Because this is a completely innovative sound, we hope you will give it several listenings. It is adventurous, daring, and certain to cause reactions from your listeners.” For this first time vinyl/CD reissue we’ve added two bonus instrumental tracks, so the album now contains all four original vocal cuts and their corresponding instrumental versions. Paul sadly passed away in 1986 aged 33 from AIDS-related illness and we dedicate this reissue to him. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in an exact replica of the 1982 jacket and includes a fold-post poster with photos, lyrics and notes by Frank Oldham Jr.

Bradley Zero’s Rhythm Section International imprint curate the second instalment of SHOUTS, a 21 track compilation with a diverse selection of artists whose music spans spoken word, DIY funk, house, techno, trap, indie, RnB and the many sub genres in between. SHOUTS 2021 highlights the dynamic journey and sound of the Rhythm Section International imprint, this time focusing on a global selection of completely new artists. An opportunity to shout about the next generation of musical talent from across the UK, Ireland, US, Middle East, Australia, Switzerland, and the Netherlands.“SHOUTS 2021 celebrates the future sounds of Rhythm Section International and explores our intention to diversify what the label is moving forward. The direction and scope of the label has definitely widened. You reach a turning point when you want to explore other sounds that you’re interested in and the beauty of being an independent label has allowed us to do that. The SHOUTS series gives us an opportunity to release so many genres that we enjoy in one hit, and thathas fed into our overall growth.” - Bradley ZeroSHOUTS 2021 boasts an incredible selection of a once in a generation type of burgeoning talent. Kareem Ali, praised by the likes of Pitchfork and Resident Advisor for his cosmic house sounds, most notably the Quantum Blackness LP. Crack Magazine cover star - neo-classical artist CKTRL who made a huge impact with his beautiful track ‘Robyn’ earlier this year.GLOR1A and the Yokai the Deity remix for SHOUTS 2021 is rooted in FDM, a dance movement in NYC started from Jamaican culture. James Massiah whose stunning spoken word opens the compilation. Sami who also co-creates NPR’s Code Switch podcast. As well as Klein Zage, Adam Pits, Pookie, and too many more to mention.

Comet Records presents from Afrobeat pioneer Tony Allen, N.E.P.A Reissue LP Vinyl remastered and coming in an heavy Deluxe Tip-On Jacket.In 1979, Tony Allen decided to leave Fela Kuti & Africa 70 and moved to London in 1982. Originally Released in 1984 on Earthworks Records, this reissue holds an extra track previously unreleased on vinyl called “Olokun”. N.E.P.A (Never Expect Power Always) is a searing critique of the Nigerian Electric Power Authority, an organisation that governed the use of electricity in Nigeria.It starts out with the title track, with a definite Afro-beat punch. Electro-claps stand as part of the percussion line, adding to a more modern look at what Afro-beat was becoming.This is followed by an even further modernized piece of Afro-beat, as the title track is given a dub mix. “When One Road Close” has a similar pace, and is similarly followed by a dub remix, complete with the necessary space-effects reverb.And to make this reissue extra special the track “Olokun” was never released on vinyl before.Blending the nascent rise of electronica into Afrobeat production, it’s tighter than any Fela album and became a definitive project in shaping Allen’s future sound. Whether it’s the electro beats or the punchier, multilayered arrangement, it instantly stands out in Allen’s vast and expansive discography.