Motion Process
Outside The Algorithm

Under the pseudonyms 4 A.M. and Beat Per Bar, Lupos Sobre-Vega released two eccentric 12”s, of what, in retrospect, can be called vernacular house music. Both records are individualistic collisions of New Wave, Bass, Freestyle, Hi-NRG, Acid, and Sample House recorded in Sobre-Vega’s home studio in Orange County, Los Angeles. Using a Yamaha QX-5, Roland S-50, his mom's Roland Juno 60, EMU drum machines, and Yamaha DX-7, he put his nascent jazz chops to use and laid down the idiosyncratic dance tracks that he would self-release on his own label, House Hold Records, in 1988 and 1989 respectively. Although both 12”s were credited to groups, Sobre-Vega confirms that “the so-called band members were club friends. A couple were models and actors, or just plain good ol’ dancers. They were strategically picked by me, of course. So yeah, 4 A.M. and BEAT PER BAR are 300% me. There is no other.”Despite working within the confines of dance music’s ready-made rhythms, Sobre-Vega’s sensitivity transcends the inarticulate 4/4 beat - vulnerable, idealistic and yearning. The timeless themes on the records reveal his youthful worries about money, intimacy, love and sex. Looking back at dance music history, it is luminaries such as Arthur Russell, Sylvester, Grace Jones, Theo Parrish, and Larry Heard, that stand out as enduring visionaries that transcended stylistic trends. Mixed Signals is proud to illuminate Sobre-Vega’s work in the constellation of dance music’s radical dreamers with this EP comprised of two songs from each his scarce and singular 12”s

A decade after it first surfaced on CD and digital, Kaidi Tatham's superb contribution to Jazz:Refreshed's now legendary 5ive series of mini-albums has finally made it onto vinyl. We don't expect these to hang around in stock too long, in part because it's one of the most consistently on-point and musically expansive sets in Tatham's vast catalogue - and that's saying something. For proof, check the soulful bruk-up business of 'To My Surprise' (reminiscent of the best of the collective Bugz in the Attic project he was a big part of), the fluid, spiritual jazz-funk brilliance of opener 'Don't Hide Your Love' and the expansive, up-tempo excellence of 'Organic Juggernaut', where fluttering flutes, squelchy bass and sparkling pianos catch the ear.

Limited to 250 copies. Marion Molle and Ronan Riou’s duo revisits french lo-fi synth pop in a fairytale way. Something has been brewing in France in recent years. Underground record shops, small venues, labels and young musicians create a new vibe in various parts of the country.Jean-Marie Mercimek is one of those projects coming out of this new scene, utilising their collection of rare automatic casio keyboards, frequency modulation chanson and tape collages towards a multilayered comic book journey in form of a concert. As if there was an animated wax brush painted cartoon version of Elli & Jacno.Sounds images & text by Ronan Riou & Marion MolleMastering by EquusEdition of 250 on black vinylWith insert

Tripped out and experimental dub from Ireland, starring the elusive songwriter with a captivating voice - Sarah Gleeson. Produced by Dan Taliras, founder of Echobus Records, who has been recording and championing reggae from his Dublin studio for over a decade.

Cult Berber musician Hocine Chaoui is a musical whirlwind, a tornado that sucks up and spits out electronic, folk, rock, world, afro, tribal, trance, electro and country music at high speed. This is a remastered version of his Ouechesma album which was drawn from Oriental Music Production's archive of regional Algerian cassettes. It was made on traditional instruments with his own unique vocal chants and a glut of mad effects and drum machines. The beats are incessant, dense, physical. The vocals add another layer of intensity and the whole thing is as wild and crazy as it sounds.