Salvia Palth
Melanchole

Beat the Devil's Tattoo is Black Rebel Motorcycle Club's fifth studio album. This release signifies the band's first full-length on their own Abstract Dragon label, in partnership with Vagrant records and co-op music group. The band wrote and recorded the majority of the album at the basement studio in Philadelphia, PA - the same room where they wrote and recorded Howl, the rest was done in their hometown Los Angeles. Beat the Devil's Tattoo also marks the first album with drummer Leah Shapiro. The album is a mixed up hot-pot of all the band's previous work - an americanised blend of blues-inspired garage and folk-driven rock 'n' roll.

13 ans après « Meets A.S Dragon », ‘La Nuit est Là’ est un nouvel album en public, enregistré avec A.S Dragon aux Trois Baudets cet automne. Il comprend également cinq titres au New Morning en 2009 avec AQUASERGE, ainsi que des improvisations au piano.Invités sur cet album: Winston McAnuff, Jef Barbara, Sen-Yattanoel, Anouk Ross, Louis & Joseph BonaSortie aujourd’hui lundi 3 mars 2014 en version numérique, CD et vinyle (tirage limité à 500 ex)

Gadzooks Vol. 1 est différent de tout ce que vous avez entendu auparavant - les comparaisons vont du chef-d'œuvre fracturé Oar de Skip Spence, au troubadour Robyn Hitchcock, en passant par les humeurs noires de John Lennon sur The White Album et le surréalisme caustique de Frank Zappa. Enregistrant sur bande, Caleb a piraté chaque prise pour réassembler les chansons comme des diagrammes d'Escher. Faisant partie d'un flot de créativité - comme son titre l'indique, une seconde moitié de cet album est déjà à l'horizon - Gadzooks Vol. 1 est passionnant, choquant et merveilleusement divertissant. Chaque chanson commence et se termine dans des lieux tout à fait uniques, souvent totalement séparés les uns des autres.

ELECTRIC JALABAEl Hal The FeelingStrutElectric Jalaba comprises six accomplished musicians with an empathy that feels telepathic and a groove that immerses. In Arabic, the mother tongue of Moroccan-born singer and guimbri player Simo Lagnawi, a leading practitioner of Gnawa music in Britain, they call this indefinable quality, “El Hal” – “The feeling”. “It’s the feeling that comes when we’re playing and totally forgetting where we are,” says producer and bassist Olly Keen. “The feeling of being grabbed by the music and lost in the groove.”El Hal is the new third album from Electric Jalaba and their first release in five years. It’s a multi-faceted work that finds the band tighter than ever, deploying a vast cache of influences across nine tracks improvised and developed in their south London studio then deftly produced by Keen. Some tracks pay homage to the origins of Gnawa music, whose repertoire of Arabic-language praise songs contains remnants of West African dialects – Bambara from Mali, Fulani and Hausa from the Sahel region – that point to a centuries-old migration.

2 printed inner sleeves, insert. first ever legal reissue with permission of Phil Newtons family and Heir, the copyright owners. Sleevenotes by band members and family.a masterpiece of progressive rock, heavy yet melodic, dominated by phil newtons brilliant guitar playing and songwriting. remastered sensitively to retain the power of the original which was lost in all the previous pirated editions. the record collector edition was unofficial. 6 perfect songs ranging from the melodic charm of dawn and leaving, to the fab engineers, and a legacy of just six songs on one of the most cohesive, consistent and masterful lps of the early seventies. one of the only uk private lps that may attain classic status alongside Argus and Led Zep IV.