Jimi Tenor
Quantum Connection

One sided beautiful purple 12"... EDIT & DUB #10 share a private stash of disco boogie & garage jams. DR. SUPERMAN's 1979 rap track "CAN YOU DUB IT" in an instrumental form is a welcome find, along with the super rare & sought after cuts "TIED UP IN LOVE" by IYICJKO and LEE ALFRED's "ROCKIN-POPPIN FULL TILTING".

First ever reissue of highly sought after french jazz funk fusion nugget from Alain Bellaïche featuring, Jerry Goodman (Mahavishnu Orchestra), John Hicks (Strata-East) & Fabiano (Fabiano Orchestra).A Frenchman who is returning (but who we seem to discover!) from the USA is something unusual. Everything seemed to start out well for Alain Bellaïche: Born in Tunis, childhood in Cannes, studies at the Ecole des Beaux-Arts in Paris, his first folk concerts folk in youngsters’ houses and clubs where everyone was well behaved …Then, in 1973, he left for the States. Bellaïche would settled for around ten years, with, as a soundtrack, the two albums that he would record there. Metropolitain, which was the fruit of his collaboration with the Heldon guitarist Alain Renaud, and Sea Fluorescent. In the catalogue of Asylum, David Geffen’s first label, Bellaïche’s music was listed alongside that of the Byrds, Tom Waits, Joni Mitchell, and Bob Dylan.In a Rock & Folk, interview Bellaïche expressed his regrets as to the prudence of French musicians: “I never had a group… perhaps the guys here are not motivated to play this kind of music”. We should note that the influences of our expatriate were, for example, Led Zeppelin, John McLaughlin, Weather Report, Herbie Hancock, The Spencer Davis Group…Bellaïche, a multi-faceted and iconoclastic musician, composed Sea Fluorescent just following his desires: from a cosmic ballad (St Andrea), to West Coast funk (California), dreamlike Spanish influences (Spanish Roots), optimistic blues (Foolin’ Myself), a solar track (I’m Angry, Sun Blues) … And the Frenchman was in good company: Jean-François Fabiano (from Fabiano Orchestra) on drums and percussions, Jerry Mahavishnu Goodman on violin on Got My Place In That Country, Wornell Jones on bass or John Hicks whose cascades of notes bring Reggae & Western closer to the ‘reassembled’ jazz that the pianist was playing at the time…When, finally, after the fabulous declinations of the title track of the album, we hear a bonus on which Bellaïche sings in French, it is time for a Chacha émotionnel on which offers this horrible confession: “I’m not from around here, I come from a backward country”. Thanks to Souffle Continu, France is finally catching up.Remastered from the master tapes.Restored artwork + 12 page booklet.Licensed from Alain Bellaïche.

The Los Angeles jazz underground would have sounded mighty different without Flight 17 - the first appearance on record of the legendary Pan-Afrikan Peoples Arkestra. the legendary band was famously lead by founder and mastermind, Horace Tapscott, and this seminal album is now finally back on wax for the first time in 40 years. The Arkestra brought totters the local creative community and gave them free rein to express themselves and boy did they do that. Tapscott's hard-swinging piano opens the reduced and there is no let up from there: this is hugely energised jazz from another dimension.

Closing Time is the debut album by American singer-songwriter Tom Waits, released on March 6, 1973 on Asylum Records. Tom WAITSClosing Time (remastered)Anti

Be With is delighted to present Jorge López Ruiz’s El Grito (Suite Para Orquesta De Jazz), eternal Argentinian magic released on CBS in 1967 that must be one of the most sought-after South American jazz LPs.The work of a genius artist living under an oppressive dictatorship, erased by the government of the time, this is buried treasure in every sense and it’s been a rare record for over 50 years. But it isn’t just being hard to find that has pushed up the prices of those few original copies that survived, this is a foundational record in the development of jazz in South America.Yet this is not challenging jazz. There are certainly avant garde, free jazz flourishes, but the hard bop characteristics make this a very accessible album: easy to listen to without being easy listening. And López Ruiz’s love of film brings a definite cinematic feel.This Be With edition of El Grito sounds sensational, if we do say so ourselves. Working with audio from the original analogue tapes, the vinyl mastering chops of Simon Francis are on full show here in what he considers to be some of his best ever work for Be With. Pete Norman’s cutting skills have made sure nothing is lost. The tortured artwork has been restored here at Be With HQ as the finishing touch to helping this revered work find a rightful place in every protest art collection.

1980 album from the Soul singer, songwriter, musician, producer and actor. And Once Again was the fourth solo studio album released on Polydor Records from Hayes. The follow up to the hugely successful Don't Let Go, And Once Again took a softer approach and focused more on the fantastic ballad talents of Isaac Hayes. Notable tracks on the album include the supplicating serenade, 'Ikes Rap VII/This Time I'll Be Sweeter' which consistently builds and grips throughout it's duration and the up-tempo 'I Ain't Never' which contains the trademark driving bassline that captivates the listener.