Edmony Krater
An ka sonjé

Great shape !

We live in divisive times. Multiculturalism rises hand-in-hand with racial tensions, and politicians seem powerless to even bring people within earshot of their convoluted message. It’s time for a different perspective.On his second studio album, More Arriving, Sarathy Korwar blasts out his own vibrant, pluralistic missive for the world to hear. This is not necessarily a record of unity; it’s an honest reflection of Korwar’s experience of being an Indian in a divided Britain. Recorded over two and a half years in India and the UK, More Arriving draws on the nascent rap scenes of Mumbai and New Delhi, incorporating spoken word and Korwar’s own Indian classical and jazz instrumentation. This is a record born of confrontation; one for our confrontational times.With this album, Korwar expands his politicised narrative to envelop the entire diaspora. “This is a modern brown record. The kind of record that a contemporary Indian living in the UK for the past 10 years would make,”Korwar says. “This is what Indian music sounds like to me right now.” It all begins with the title: “More Arriving comes from the scaremongering around Brexit,” Korwar says. “It’s a tongue-in-cheek play on the fact that there are more people coming and you’ll have to deal with it!” Through this defiance, Korwar takes clear pride in the knotty mix of his identity – harking back to the new India of the Mumbai hip-hop kids, as well as identifying with London’s cultural diversity. “I want the idea of brown pride to come through,” he says. “My voice is one amongst a thousand, but this record is a snapshot of something much greater than myself. It’s the chance to send a message.

Charles Bradley's third album is highly anticipated and very emotianal again.

Afro-Brazilian Candomblé rhythms meet jazz on ‘Kan’ by Alabê Ketujazz, the long-standing duo of Brazilian saxophonist/composer Glaucus Linx and French percussionist/composer Antoine Olivier. Captured on vinyl for the first time, the album is set for release on 16 September, marking the first release on Poeira Music, the brand new label of esteemed Brazilian DJ, producer and MIMS resident, DJ Tahira, in conjunction with São Paulo record store and now label, Memória Discos.

The Honeyshotz is a band/project put together by Ian Stevens , the bass player from The Getup and The King Rooster as a vehicle to record and perform a collection of songs that were written by himself and also with some of the other musicians involved.The band features Mark Claydon(The Getup / The King Rooster) on drums and percussion and Lee Blackmore (The Getup) on guitar . The man on the keys is Toby kinder from the Gene Drayton Unit and the vocals are taken care of by Sabina Challenger (formerly of The Getup and The Soul Grenades).Mark Norton (The Fantastics/ The Gene Drayton Unit) supplies sax and flute. The songs are very much in the vein of The Brand New Heavies and have that summertime Acid Jazz / Soul Funk Vibe.