Qvark
Qvark

A 12" comp put together by Four Tet, selecting two big peak-time Jazz tracks he used to spin regularly at Plastic People.On one side, we’ve got all time jazz greats Jackie McLean and Michael Carvin’s De I Comahlee Ah, taken from their seminal album Antiquity recorded in Denmark back in 1975. A year and a half ago, we visited Steeplechase, the original label in the outskirts of Copenhagen. They informed us that at the time, the track was cut short as it didn’t fit on the full LP. They were kind enough to provide us with the tape of the full original recording, allowing us to release for the first time the full extended version capturing twelve and a half minutes of studio magic. Speaking with Michael back in November, he told us that every song on that album was recorded without any overdubs. They had taken their shoes off and organised the studio in such a way that they could move from instrument to instrument during the take (!!)On the flip, we have Chris McGregor’s Brotherhood of Breath – MRA. Back in 70s London, the Brotherhood had brought together musicians who had sought refuge from South Africa’s apartheid regime and the best of a new generation of British jazz musicians. Music journalist Richard Williams, who had originally reviewed the band in the 1970s tell us: “They made music that appealed in equal measure to the head, the heart and the feet, taking the jazz legacy of Duke Ellington and Charles Mingus and adding to it the fantastic dance rhythms and gorgeous harmonies of the townships and untethered collective improvisations of the new free music”.Four Tet’s instalment is out early May in 12” format and digitally (stream & download), first press comes with a folded A2 insert with words from and about the artists. Graphic design by Studio ChoqueLeGoff, illustration and animation by Nevil Bernard and for the audiophiles out there, remastered and cut at half speed by Matt Colton at Metropolis Studios!The second instalment curated by Ben UFO is scheduled shortly, which will be followed over time by a string of releases including selections from Hunee, Mafalda, Floating Points, Anya & Julia from Javybz, Daphni, Josey Rebelle, Charlie Bones, Gilles Peterson… and more, stay tuned!

Super rare deep 1975 jazz/funk album from Cleveland Eaton! Some wild styles going on here ranging from the Blaxploitation soundtrack stylings of “Keena,” “All Your Lover All Day All Night,” and “Hamburg 302,” all of which incorporate disco-style strings into funky soul-jazz vamps, to the almost trad-jazz of “Kaiser 405,” to the Philly soul of “Are You Out There Somewhere Caring,” to the out-and-out party anthem “Moe Let’s Have a Party.” KILLER, KILLER ALBUM!Written and Arranged by Cleveland Eaton, except "Are You Out There Somewhere Caring" written by M. Anderson, C. Eatonwith special assistance from Ed Green & Morris JenningsSpecial thanks to the late Terry Bashman and Peter Trunk, for making some of our music.Produced by Eaton's Prod. Inc. (E.P.I.)Recorded 15 Jul 1974 at Chess Recording StudioMixed Sigma Sound, Philadelphia, PAP.S. My music and business idols are Maurice White "Mr. Earth Wind and Fire" Herbie Hancock "Mr. Jazz/Rock and Mr. Stevie Wonder.

PPU's first long-play LP highlights some of the early beginnings of one of the label's favorite producers, UKku Kuut. Written and recorded at Uku's home studio in Los Angeles and Stockholm between 1982 & 1989.Some tracks co-written with Maryn E. Coote, famous jazz vocalist who had her beginnings in 1960s Soviet Union. "That's my MOM" recalls UKU, "I remember when I was little, sitting under the mixing board at her sessions". Growing up in studios, Uku's love of music production began early, and over the years he has amassed a vast collection of domestic and soviet electronic gear. In true PPU style this LP is a mix of Uku Kuut's raw cassette demos, forgotten masters and unreleased magic.

One of Andy Narell's most exciting and unpredictable albums, Light in Your Eyes ranges from the exuberant to the quietly introspective. Narell, who embraces electric keyboards and acoustic piano in addition to his main instrument the steel pans, is undeniably inspired on everything from the driving post-bop number "A Stitch in Time" to the poetic, South American-influenced "The Strayaway Child" to the somewhat Joe Sample-ish title song. World music has long been one of the charismatic Narell's strong points, and on this fine CD, he looks to locations ranging from Africa to South America to Trinidad (where the steel pans originated) for inspiration.

Beautiful ..;